LUCAS Explains #6: Why would you rather see a 3D printed copy of the Goldfinch than the original?

Being in (partial) lockdown since March, it has become hard if not impossible to bathe in the ‘aura’ that original artworks radiate. Liselore Tissen explains how a 3D printed copy of the Goldfinch can bring you even closer to your beloved authentic artwork than ever before.

Liselore Tissen • June 16, 2020

To infinity and beyond: reinventing the ‘auratic’ experience within the (post-)COVID museum

In a previous blog, Tim Vergeer explained how the consequences of the Corona virus force us to rethink cultural identity and to approach concepts such as ‘aura’ in a different way. In this blog, I analyze how the virus affects the role of museums within the Dutch anderhalvemetersamenleving.

Liselore Tissen • June 04, 2020

Redefining Europe’s Identity During Corona

During the Covid-19 crisis, almost all public life has come to a standstill for the past two months and the cultural sector seems to be hit the hardest financially. But what is the impact of the current crisis on Europe’s cultural life from a Humanities perspective?

Tim Vergeer • May 14, 2020

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LUCAS Explains #6: Why would you rather see a 3D printed copy of the Goldfinch than the original?

To infinity and beyond: reinventing the ‘auratic’ experience within the (post-)COVID museum

Redefining Europe’s Identity During Corona